產品工藝

產品工藝

林新雁│陳允允

林新雁│陳允允

1.光是皺褶的魔法師

Light is the sculptor of skin folds

3.不同的皮膚合輯

A collection of different skin types

2.在燈光下呈現不同深淺的光影

Displaying variations in light and shadow

4.紋理向外擴展,如生長中的皮膚紋路

Patterns expand outward, like living skin

林新雁

Lin,Xin-Yan

owllin2513@gmail.com

陳允允

CHEN-YUN-YUN

vivian2003425@gmail.com

作者資訊

Authors

紋顏紋

紋顏紋

運用牛奶染布,經紮染、浸泡與加熱,讓布料在時間作用下生成獨特色澤與紋理。

Milk-dyed fabric develops unique colors and textures through tie-dye, soaking, and heat.

#印花 #皮膚 #時間性

以牛奶為染布媒介,透過紮染、浸泡與加熱等過程,探索材料在時間與溫度作用下所產生的自然肌理。用此模擬皮膚紋理,將皺紋、痘疤與傷痕等身體痕跡轉譯為布面圖樣,重新思考「瑕疵」的定義,使其從負面標籤轉化為承載記憶與美感的視覺符號。

This work uses milk as a dyeing medium, exploring the natural textures formed through processes such as tie-dyeing, soaking, and heating under the influence of time and temperature. By simulating the textures of human skin, marks such as wrinkles, acne scars, and wounds are translated into textile patterns. The project reexamines the definition of “imperfection,” transforming it from a negative label into a visual language that carries memory and aesthetic value.

陳允允

CHEN-YUN-YUN

vivian2003425@gmail.com

林新雁

Lin,Xin-Yan

owllin2513@gmail.com

作者資訊
Authors
#印花 #皮膚 #時間性

以牛奶為染布媒介,透過紮染、浸泡與加熱等過程,探索材料在時間與溫度作用下所產生的自然肌理。用此模擬皮膚紋理,將皺紋、痘疤與傷痕等身體痕跡轉譯為布面圖樣,重新思考「瑕疵」的定義,使其從負面標籤轉化為承載記憶與美感的視覺符號。

This work uses milk as a dyeing medium, exploring the natural textures formed through processes such as tie-dyeing, soaking, and heating under the influence of time and temperature. By simulating the textures of human skin, marks such as wrinkles, acne scars, and wounds are translated into textile patterns. The project reexamines the definition of “imperfection,” transforming it from a negative label into a visual language that carries memory and aesthetic value.

陳允允

CHEN-YUN-YUN

vivian2003425@gmail.com

林新雁

Lin,Xin-Yan

owllin2513@gmail.com

作者資訊
Authors

紋顏紋

紋顏紋

運用牛奶染布,經紮染、浸泡與加熱,讓布料在時間作用下生成獨特色澤與紋理。

Milk-dyed fabric develops unique colors and textures through tie-dye, soaking, and heat.

產品工藝

林新雁│陳允允