



動畫影像
盧亭妤




動畫影像
盧亭妤
1.淡在自家菜園工作
Dan working in a vegetable field
3.麗華在店門口準備上班
Lihua about to enter her workplace
2.智雯的惡夢房間
Zhiwen's nightmare room
4.芳宜與被剪去的人影
Fangyi with the cut-out figures
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別人家的媽媽
The Journey Toward Us
身為新住民二代,我拍攝別人家的媽媽,也一步步走向理解母親與自己的旅程。
As a child of New Immigrants, I film other mothers, gradually moving toward understanding my own mom and myself.
#社會人文 #女性群像 #新住民家庭
#社會人文 #女性群像 #新住民家庭
以新住民二代視角出發,我從自身與母親的距離感提問「母親如何成為母親?」藉由紀錄不同新住民母女的日常互動,觀看多元的母職樣貌與關係流動,重新理解母女之間的情感與影響。作品試圖鬆動對「母親」的既定想像,回到「人」本身,在理解與對話中,看見彼此如何被形塑。
以新住民二代視角出發,我從自身與母親的距離感提問「母親如何成為母親?」藉由紀錄不同新住民母女的日常互動,觀看多元的母職樣貌與關係流動,重新理解母女之間的情感與影響。作品試圖鬆動對「母親」的既定想像,回到「人」本身,在理解與對話中,看見彼此如何被形塑。
From the perspective of a child of New Immigrants, I begin with the distance I feel from my mother and ask, “How does a woman become a mother?” By documenting the daily lives of New Immigrant mothers and their daughters in Taiwan, the film explores diverse forms of motherhood and the evolving dynamics between them. It seeks to challenge fixed notions of “motherhood” and return to the individual, revealing how we are shaped through understanding and dialogue.
From the perspective of a child of New Immigrants, I begin with the distance I feel from my mother and ask, “How does a woman become a mother?” By documenting the daily lives of New Immigrant mothers and their daughters in Taiwan, the film explores diverse forms of motherhood and the evolving dynamics between them. It seeks to challenge fixed notions of “motherhood” and return to the individual, revealing how we are shaped through understanding and dialogue.








別人家的媽媽
The Journey Toward Us
身為新住民二代,我拍攝別人家的媽媽,也一步步走向理解母親與自己的旅程。
As a child of New Immigrants, I film other mothers, gradually moving toward understanding my own mom and myself.










動畫影像
盧亭妤




動畫影像
盧亭妤











